Talaash movie imdb
The scene where he recalls the entire incident and tries to change it differently was very emotional, my favourite from the film. ' Jee Le Zara' special part remains the one where Surjan and Roshni dream of hugging each other as they would be when Karan was alive.Īamir Khan excels as a cop once again, though this performance aint as effective as Sarfarosh mainly for the different characters, and the fact that Surjan is most of the time fighting with the guilt he has built inside him for the death of his child. ' Hona Hai Kya' was also perfectly filmed with the run away of Temur.
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Also, the lyrics of the song tells the theme of the film, plus Suman Sridhar's voice gives it that special feel. The songs are perfectly used, ' Muskaanein' my personal fav sets up the mood with creative visuals highlighting the red light areas and prostitutes at late nights in Mumbai. The accident scenes somehow created double impact to me, either it was just for me or the sound mixing was done in a way to create that effect, specially the climax one. Infact Editing is top class, specially the idea of using fadein and fadeout for characters.
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Also, the one where flashback of full incident is shown, and very well merged with present. I loved the background theme that runs when Surjan is playing with the torch thing recalling his child's death incident. There are few flaws if you think about logic like why did Rosy wait for 3 years to take revenge. Just as one reviewer wrote 'Psychological drama', I would say the same. The mystery part actually becomes a sub-plot (when watching 2nd time around). The more I see the film, the more I get involved into the drama narrated by Reema with excellent background score/music by Ram Sampath. Talaash if seen from the point of view of Rosy (Kareena Kapoor character) would make a very good watch, the drama created between the various characters, be it Surjan (Aamir Khan) and Roshni (Rani Mukherjee) relationship that has suffered since their child's death, or Surjan and his haunting memories of child's death, or Surjan-Rosy meetings that always lead to a new clue to the accidents, or Temur (Nawazuddin Siddique) trying to get rich through the opportunity in front of him. And she did very well there, apart from 2 scenes that offer the hint but then they had to be there. I know the suspense, so the anxiety level isn't there, now its about how well director covered up the scenes that hinted towards the climax.
Now, try the other way which I used while watching movie 2nd time around. What could had been done, was re-write the part and make it more of case solving rather than ghost revenge. So, have to say if they were going to keep the main part based on a ghost, they hardly could had formed screenplay in any other way. The subject is on a revenge from a ghost, and if you promote it as a ghost film you are already giving away the suspense part. the immediate reaction is 'How the hell is this the main plot, and how can we be watching movie about this'.
upto that its a greatly written, very well enacted movie but once the suspense is out. In suspense films, what matters the most is 'at what stage you can guess the climax right', and then 'the climax was worth the distance screenplay travels?' In Talaash, the problem lies with the climax.